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The economics of newsstands – a rare insight into the mind of a ‘fringe’ magazine publisher

The publisher of The Perl Review, has blogged about the economics of retail sales of magazines, providing a rare insight into the mind of a publisher and what I’ll call a ‘fringe’ title. Fringe titles are those outside the top 500 or so magazines. They are the titles the major retailers (supermarkets, convenience chains, petrol chains) refuse to carry.

You’ll see from the post below how this publisher justifies losing money on newsstand sales on the basis of boosting subscription sales. This strategy has been a regular complaint of newsagents – that publishers push product to their shelves just to promote subscription sales. It’s a strategy vigorously refuted by publishers.

The words below from the publisher of The Perl Review speak for themselves. My comments follow.

The Economics of Newsstands
Powell’s Technical Books in Portland (that’s the one on 33 NW Park Avenue) is going to carry The Perl Review. It’s our first newsstand distribution.

I had to set a newstand price. The deal basically works like this: bookstores keep most of the profit. Magazines make money when the single-issue buyers turn into subscribers. After Powell’s cut, which we set at 40%, and my costs, $2 an issue, I have to figure out a price that also motivates people to give the money to The Perl Review directly instead of the book store. That’s why you see big discounts for magazines when you subscribe: that’s the real price, and everything else is markup. The Powell’s price ends up being $5, which is 50 cents more than the subscription price.

That’s not to say that newsstands are bad. It’s like better-than-free advertising since it sits on the shelf and I cover my costs plus a little more for every issue sold.

Forget about absolute numbers for a moment. At my price point, if they sell 75% of the copies, I break even. That would be fine with me because any copy sitting on the actual magazine display means people see that issue. Some might subscribe later even if they don’t buy it. Now that I have a price point, I have to figure out the right number of issues. That’s something I just have to guess.

I left 16 copies of the Spring 2005 issue, but I also have to consider that I sold about 10 at the Intermediate Perl book signing. We’ll see how that goes.

Now, a good magazine accountant has to keep track of the actual number of newsstand sales too. As much as I’d like to pretend that we sell every single copy, the Post Office wants to know where all the issues went to verfiy that we abide by all the periodical rules. It’s not enough for the newsstand to simply tell me what they sold. They certainly aren’t going to tell me they sold everything when they didn’t since that’s money out of their pocket. They can’t really tell me they sold nothing because that’s money out of my pocket.

If you’re a late night person living in a city, you might have seen a bunch of guys tearing off the front pages of newspapers and magazines. Instead of sending back the unused copies, they send back the cover (and they do that for books too). Every cover they don’t send back is a sale that they owe me money for.

You might think those unsold issues represent lost money, but they really don’t. They are a sunk cost, meaning that I would have spent that money regardless of the sales. That starts way back at the printers when I have to decide how many issues I want. That number includes all subscriptions, complimentary copies, samples to user groups, and all the issues I’ll need to fulfill orders for back issues. Not only that, but the more copies I print, the lower the incremental cost (the cost per each copy). Each printing job has a fixed overhead for the job preparation, machine set-up, and so on. That’s the make ready. I end up printing many more copies than I need, partly to amoritize the make ready. Not selling at the newsstand is slightly better than not selling while sitting in boxes in the office. At least people see them at the newsstand.

Remember that magazines make money on subscriptions, so that’s the goal. I don’t care about selling more at the newsstands. If someone subscribes because they see an issue on the newsstand, the profit from the subscription pays for about three unsold newsstand copies, so five subscriptions from people seeing the issue at Powell’s would make up for no sells. That’s just breaking even, and nobody makes any money. That also means I’m spending $6 to get a new subscriber.

If you’re already despondent, you don’t want to read about distributors. Most bookstores don’t want to deal with every individual publisher. They’d have to keep track of a separate deal for every magazine. Instead, they want to deal with a single source in the same way they deal with books. I know my costs, and I know the newsstands cut, and I have a price point that I can’t change to much because people won’t buy it at too high a price. If I use a distributor, perhaps to get into the big chain book stores, they are going to want a big cut too. I’ll end up either breaking even or losing money on every newsstand copy, and I’ll want to convert that to a subscription as soon as possible. That’s why you see so many wonderful subscription cards in the magazines.

So far I’ve just talked about money from sales. We can also sell advertising, which we do for the special friends of the Perl community. Since magazines know they are going to lose money at the newsstand, they make up the difference with paid advertising. Ever wonder why magazines such as Wired are mostly advertisements? That’s making up for the money they’ll lose on the newsstands. Remember when I talked about keeping track of the number of copies sold? Advertisers want to know those numbers. They don’t care how many copies the newsstand bought. They care about the number of copies that shoppers bought. That sets the rate at which the magazines can sell ads. More eyeballs equal more dollars. There’s a separate industry of companies that audit magazines to verify the numbers. That’s even more money that gets sucked away.

The short story? Subscribe to the magazines you like. It’s the only way they can survive.

Considering these comments from the publisher of The Perl Review in the context of Australian newsagencies, there is evidence to support his views. One only has to look at the number of subscription cards, placed loose, in magazines. Often three or four cards. Especially in the Special Interest magazines – crafts, hobby, science, cars, music etc.

Subscriptions are more lucrative than over the counter sales otherwise publishers of the fringe publications would not push them so hard. The magazine supply model in Australia provides a low cost low risk distribution channel for fringe publishers. They can get their titles into thousands of shops with the retailer carrying the risk of customer theft. It puts their masthead in the right interest category and in front of, potentially, millions of eyeballs. That exposure has to rub off. We know from the blog post that the publisher of The Perl Review would only do this to support subscription sales.

Newsagents don’t get any share of subscription sales. Nor are they compensated for the use of their real-estate or labour. While this is okay for the top 200 or so titles, it is at the other end of magazine titles that the publisher’s intent and strategy are crucial.

The magazine supply model in Australia was created back when the industry was regulated under ACCC authorisation. Someone forgot to reconsider the model when it was deregulated by the Federal Government under the watchful eye of the ACCC in 1999.

The golden goose (the newsagency channel) is suffering from an out of date supply model and under the weight of fringe titles being distributed by publishers who think like the publisher of The Perl Review.

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  1. Josh

    It’s actually a little worse than that. You also have to PAY the newsstand to destroy unsold copies. Also not that this is an industry in which any magazine that sells more than 30 percent of the copies at newsstand (at least in the U.S.) is considered efficient. What other business supports a model in which 2/3s of the product on the shelf is destroyed? It’s grossly inefficient–but what’s the solution? It’ll be 5-10 years before digital distribution will work well enough to replace this.

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  2. josh

    Sorry–that was NOTE not “not.” Er, whatever.

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  3. brian d foy

    I’m not sure why you think the situation should be any different. Anyone running any sort of business wants to maximize their profit. I’d love to make money on the newsstand sales, but I can’t set the price high enough to do that. People wouldn’t buy the magazines at a higher price.

    I’m not sure why you don’t think newsstands aren’t compensated. They keep a portion of their sales, just like any sort of store keep a portion of the sales of the tangible items that take up space. That newsstands are a retail operation with the same risks as any other retail operation (including loss), is not the fault or the responsibility of the publisher. The newsstands make money by selling things. That’s their compensation. It’s a poor business model that lingers on: being the middle man.

    This isn’t something from just fringe titles either. The major magazines want to convert single copy sales into subscriptions too.

    Finally, your conclusion is wrong. It’s not that I would only do this to get more subscriptions, even though that is a major goal. There just isn’t anything else I can do and still make money.

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  4. Mark Fletcher

    Josh,

    Your blog post speaks for itself. What galls me is that you enter the newsstand channel with the goal of boosting subscriptions. Here in Australia newsstands (newsagents) make 25%. So, consider a $6.95 title. I receive 4 copies, sell 1. Out of the $1.73 gross profit I make I have to fund the real-estate and the labour involved. The cost for the title is $4.50 per month. So, I need to sell three copies to make a profit. Distributing a title to retailers has to be profitable for them regardless of the subscription model. Newsstands make money by providing an excellent retail experience. This makes them interesting to publishers – that they draw traffic with wide interests.

    Mark

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  5. brian d foy

    Hi Mark,

    I think your last reply was meant for me.

    Your real estate and labor are sunk costs. You are going to pay those regardless of what publishers do. You have to consider that without subscriptions, there would be no magazines and you’d have nothing to put on your magazine racks. It’s equally appalling that you think a publisher owes you anything or should work to make you money. If you don’t make enough money selling something, don’t sell it. Either way, you’re still paying your rent and labor, just like the publisher is.

    Don’t forget, however, that you can’t simply count the direct profit of selling magazines as the sole incentive to carry it. Your selection draws people into the store, and although they might not buy the magazine, maybe they buy something else. If you reduce your selection, you’re also going to reduce your traffic, and that reduces your bottom line for all sales. Provide them that excellent retail experience and you should have to worry about live off magazine revenues because people will buy other things too.

    I think you’ve also misjudged the situation. In my case, the bookstore approached me (not the other way around) about carrying my title. As a niche title I draw a specialized audience, which works out well for the bookstore. I have no competition in my subject area, and the fact that the bookstore carries my title draws business (as my contact there has told me already(. It works out nice for the bookstore which carries no risk since they only pay for what they sell (and the numbers in your situation don’t seem to jive, and even then seem to be a different deal).

    So be offended as you like, but both sides of my transaction are happy.

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  6. Mark Fletcher

    Hi Brian,

    ‘Fringe’ magazines need to be profitable as stand alone products. I say this with the knowledge of shopping basket data showing their consumer interest and pulling power versus non ‘fringe’ titles.

    My interest in your post was to do with your comments about subscriptions versus newsstand sales and your view that you’d be on a newsstand to attract subscription customers. Your position on this supports what many newsagent retails have felt for a long time. My interest was that you, as a publisher, shared the view.

    None of this discussion offends me – it takes more than that. You need to run your business appropriately for yourself as do newsagents (newsstand) owners. The challenge here in Australia is that we have a magazine supply model which is not as viable for ‘fringe’ titles as it could be. Indeed, over 70% of titles carried by newsagents are cash-flow negative.

    Mark

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